No Baggage

No Baggage is a travel memoir that rose out of a viral Salon article titled “The Craziest OKCupid Date Ever.” The original article explored a baggageless trip across the world with someone she barely knew, and it was one of the first things Clara Bensen had written.

The article has now been read more than five hundred thousand times, and it led to a number of book-deal offers for Clara. When the offers poured in, she wasn’t sure she was ready to write a book. “I took one creative writing class in community college,” says Clara. “I’ve long been writing, I’d published a little bit on a personal website, but that Salon article was my first publication ever.”

But the viral sensation of her story opened a lot of doors, and soon Clara had an agent, a publishing deal, and a movie option, all based on one Salon article and a book proposal. That may sound like a dream for any aspiring writer, but it meant Clara had to learn the rules of the publishing world in reverse, which wasn’t as wonderful as it sounds.

Clara Bensen

“Initially people thought it was some kind of stunt or carefully planned marketing ploy. But taking that trip, just like writing this book, was a personal challenge and an adventure. I had to overcome a lot to go on that trip, as I describe in the book, so it was more about just taking a next step. I did not go into it thinking ‘This will make a great book.’”

Clara completed No Baggage in eight months. It was published by Running Press, a member of the Perseus Books Group, in 2016. It was edited by Jennifer Kasius and represented by Stacy Testa of Writers House.

No Baggage received global coverage and reviews after its release. It has been translated into a dozen languages, and the movie was in development at the time of this writing. Clara is working on her next project, a series of social experiments that play with the intersection between madness and society. She continues to travel around the globe with her partner Jeff—without any bags.

Ruby

Ruby is a work of literary fiction and a New York Times best seller, described in promotion as an “epic, unforgettable story of a man determined to protect the woman he loves from the town desperate to destroy her.” The story weaves together multiple narrative threads and covers challenging themes of human trafficking, sexual violence, mental health, and racism. Ruby’s author, Cynthia Bond, was born in East Texas but spent much of her childhood in Lawrence, Kansas, where her father was a literature and theater professor. As a young girl, she was fortunate enough to meet Gwendolyn Brooks, Sonia Sanchez, Nikki Giovanni, and Maya Angelou, and each made an impression on her work in adulthood. By the time she left home for college, she’d been exposed to a lot of writing. She recalls the massive stacks of books strewn around the house. But she did not intend to be a novelist; when she left for college, she had her eye on a degree in journalism.

Cynthia Bond

Cynthia worked in journalism for a while, but memories of her dad’s theater work pulled her in another direction—acting. “As a young girl I’d watch him, sit in the back of the auditorium while he was directing plays, and then we’d go home and just talk about structure and the arc of the characters,” she says. So she returned to school and pursued a life in theater. After several years Cynthia shifted yet again and moved into social work, mostly working with at-risk and runaway youth. Many years later—still working with these populations and after personal struggles of her own—Cynthia found herself in a community writing class, where she started what would become her first novel, Ruby. Cynthia says all three of her career stops helped inform and propel her work. “In journalism school, I learned about crafting a story in a succinct manner. In acting school, I played a lot of characters in really good plays. So I learned about exploring the arc of characters, the twists and turns and rise and fall in those stories. And then in my work with youth, I lived it. The stories in this book needed to be told because there are so many children on this earth who are going through the unimaginable. And I really sometimes believe that we are unaware that we are living through a genocide of children. People don’t see it, they don’t know it, they’re unaware of it. But kids are being killed, they’re being chained to beds, given drugs to make them comply, being thrown out of their homes because they’re gay or transgender. So those stories are just a part of me now, and I needed to try to tell them.” From the initial impulse to write it to the day it came out, Ruby took Cynthia Bond fifteen years to complete. Ruby was published by Hogarth, an imprint of Penguin Random House, in 2014. It was edited by Lindsay Sagnette and represented by Nicole Aragi of Aragi, Inc. Ruby was a New York Times best seller, an Oprah’s Book Club 2.0 selection, and a finalist for the PEN / Robert W. Bingham Prize. It reached numerous best-seller lists and has been translated into many languages. At the time of this writing, Cynthia Bond is working on the second book in the Ruby trilogy.

Bird

Bird is a picture book about a boy named Mehkai, better known as Bird to the people who know him. Bird loves to draw and tries to use drawings to cope with the death of his grandfather and with his older brother’s drug addiction. Featuring beautiful illustrations from Shadra Strickland, Bird tells the story of a young boy coming to terms with real-life issues of addiction and loss. The story has been widely praised for allowing new and more open conversations around mortality and addiction with young children—issues that many small children experience firsthand but don’t know how to talk about. Zetta Elliott wrote Bird quickly, in “about a day.” But she revisited and revised the manuscript over many years before submitting it. Many publishers and agents told her the book’s content was too mature for a picture book. Finally, after persevering through criticism and an industry she views as stacked against writers of color like herself, Zetta submitted it to the Lee & Low New Voices Contest, and the book was awarded first prize.

Zetta Elliott

The prize came with a cash award and the potential for being published by Lee & Low. The book was published traditionally, but not without bumps along the way—enough bumps that Zetta Elliott has now mostly turned to self-publishing. Between the day she sat down to write it and the day it came out, Bird took about five years to become reality. It was published by Lee & Low Books in 2008. After its release, Bird received numerous starred reviews and was listed on many best-children’s-books-of-the-year lists. It won the Ezra Jack Keats Book Award, the Paterson Prize for Books for Young People, and a Coretta Scott King Award, and was named an ALA Notable Children’s Book. As of this writing, Zetta Elliott has now published eighteen books for children, four books for teens, two books for adults, and three plays. She has self-published most of those works and continues to advocate for writers of color in publishing.

California

California is a dystopian novel, or as Edan Lepucki puts it, “a postapocalyptic domestic drama.” It follows a husband and wife, in shifting points of view, across an apocalyptic California. Not only must this couple figure out the newly devastated world, but they must also balance their reliance on each other with the secrets they continue to keep from each other.

Edan Lepucki began California because she heard from numerous agents and editors that her first novel manuscript, which she had spent many years writing, was not going to sell. At the time, she had completed her MFA degree from the Iowa Writers Workshop and she was teaching in and around Los Angeles. Besides the novel that never got off the ground, Edan had published some short stories and was a frequent contributor to The Millions.

Edan Lepucki

California is the novel that Stephen Colbert held up in front of his Colbert Report audience in 2014 and instructed them to buy from Powell’s Books to protest the Amazon-Hachette dispute. That TV moment helped propel Edan’s debut novel to best-seller lists.

The book took four years from the moment she started it to the moment it landed on shelves, and in thousands of readers’ mailboxes through their Powell’s orders. It was published by Little, Brown, an imprint of Hachette, in 2014. California was edited by Allie Sommer and represented by Erin Hosier at Dunow, Carlson, and Lerner.

California debuted at number 3 on the New York Times Best Sellers List and has been number 1 on the Los Angeles Times and San Francisco Chronicle best-sellers lists. It also was listed on the IndieBound and Publishers Weekly Bestsellers Lists. Edan’s second novel, Woman No. 17, released in 2017.

I Am Having So Much Fun Here Without You

I Am Having So Much Fun Here Without You is a literary novel set in Paris. It is intentionally not a typical Paris story. This story splits between moments of dark comedy and piercing observation—it revolves around a man whose lover recently left him and whose wife found out. The apparent positives in his life—the romance of Paris, the successful art career, the loving family—are just illusions, and we follow this man as he tries to put his life back together.

One of the strengths (or, for some, weaknesses) of this book is that the main protagonist is complicated and often unlikable. Some readers and critics negatively focused on his likability in reviews. More reviews, however, praised Courtney Maum’s ability to make the reader empathize with a challenging character. In addition to the weighty topic, Courtney’s book is frequently praised for the amount of humor it delivers.

Courtney Maum

I Am Having So Much Fun Here Without You was almost abandoned permanently. Courtney literally stuffed the manuscript in a box for ten years before returning to it. “I certainly never had any dreams of it seeing the light of day. Nor did I think about self-publishing it, which I have done with other work. I self-published a collection of short stories for the fun of it so I could have something to hand out without having to go through the spiral of rejection again. But this novel—it was just going to stay in that box.”

But it didn’t. As a result of one conversation, Courtney returned to the manuscript and rewrote the entire novel. By that time she had three other novel-length manuscripts, two of which she also never intended to seek publication for. But that much writing experience meant Courtney wasn’t afraid to begin rewriting I Am Having So Much Fun Here Without You years after she’d abandoned the project. “I wasn’t frightened or daunted at all by the idea of this novel. By then I’d already written so much.”

More than twelve years passed between the time Courtney had the idea for I Am Having So Much Fun Here Without You and the day it landed on shelves in 2014. It was published by Touchstone, an imprint of Simon & Schuster. It was edited by Sally Kim and represented by Rebecca Gradinger of Fletcher and Company.

Since it came out, I Am Having So Much Fun Here Without You has been reviewed widely including in Vogue, People, the New York Times, the Washington Post, the Wall Street Journal, O, The Oprah Magazine, and Flavorwire. It was featured on several best-debut-books-of-the-year lists in 2014 and in featured-picks lists on IndieNext, Amazon, and Apple. It has been translated into multiple languages. Courtney’s second novel, Touch, released in 2017.

My Blue Skin Lover

My Blue Skin Lover is a magical-realism novel about a married woman who is growing weary of the pressures on her life: the clinical, data-driven focus of her PhD advisor, the materialism of her husband’s corporate ladder climbing, and the loneliness and frenetic pace of living in New York City. She meets the god Shiva by chance, and they ultimately have a love affair. The book explores themes of materialism, marriage, friendship, self-discovery, and spirituality.

Monona Wali wrote the book with the intention of publishing it in the traditional way, but after a few missteps, including paying for editorial advice that set her work back and an agent who abandoned her, she had mostly given up on publishing the story at all. But soon people in Monona’s life pushed her to explore other options. That push led her to revise and self-publish the book in 2014 through Blue Jay Ink, nearly four years after she started it.

Monona Wali

My Blue Skin Lover wasn’t the first thing Monona had written, however. She has published numerous short stories and written and edited a 1991 award-winning documentary called Maria’s Story.” She turned to working on novels only about a decade ago. An early manuscript has been left in a drawer, and she freely admits, “I really didn’t know what I was doing.” Yet that failed novel helped pave the way for her work on My Blue Skin Lover.

My Blue Skin Lover came out and mostly sold locally, through Monona’s connections and circles. It then gained sales and reviews after winning Independent Book Publishers’ 2015 IPPY Award for Best Multicultural Fiction, one of the most influential and respected award series for self-published books. Monona Wali continues to teach creative writing and is working on her next novel.